Why do studios pass on the opportunity to make insane amounts of money with no downside as long as you don’t “make a pretty terrible movie”?
Donny, the studios have a certain financial model. I’m going to try to distill it down to a forum post… Essentially, they would rather spend $100 million to make a movie, plus $100-150 million to market it, and then gross $500 million or more. That makes more sense for them than spending manpower resources to make a movie for $1 million and spend $1-2 million marketing it to make a $5 million gross.
Their overhead is so huge that they have to deal in very big numbers. They just don’t have the corporate bandwidth to make smaller movies.
That’s where the indie film producers come in. They make the $100,000 to $20 million movies (approximately). Indie producers have very low overhead and can thrive in that budget range.
And by “insane,” I meant films like Blair Witch Project, Napoleon Dynamite, and My Big Fat Greek Wedding, etc., that made hundreds of millions of $ off very low budgets. That’s insanely good! And very rare. Those are statistical outliers — and if someone gives you a business plan for a movie that includes those rare titles, then I strongly suggest you decline to invest in that movie.
As for our Christmas movie, insanely good would be if we join the ranks of A Christmas Story, Elf, etc., and become a perennial favorite that makes steady money year after year. Considering our budget, if we gross $20 million, then people will be referencing our movie in future movie business plans And yes, that’s eminently possible. Is it likely? Who knows? But we’ll do our damnedest to try and make it happen. Alas, I can give no guarantees, which is why you should only use risk capital when investing in startups like ours. Seriously.
Fair enough. The only problem I have with risk capital is the risk. :P
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